TANGO GESTURE
\n<\/span><\/h4>\nThis small collection of 6 cyanographies
\nis realized by Azul LOEVE
\nwith the photographic complicity of Micka\u00ebl JACOB.<\/p>\n
They met in milonga, the tango ball. They love to dance… and to photograph.
\nAzul has an idea behind her head, thanks to cyanography, to reinterpret the aesthetics of tango, still often old-fashioned, hyper-generated and above all far from what she feels in dance and knows from balls. Not all tangueros are couples on fire, Mr. macho is taller than Madame femme fatale.<\/p>\n
When she sees Micka\u00ebl’s photographs, she tells him about her artistic research because the couples in her lens reflect the vitality of tango. Any kind of duet, no theatrical pose, a lot of connection between the dancers, the music, the milonga… and a personal look. He entrusts her with his works, she embarks on a re-creation.<\/p>\n
<\/p>\n<\/div>
<\/div><\/div><\/div>5 works of similar size | 32 x 44 cm<\/p>\n
1 large size artwork ALLEGRESSE | 50 x 65 cm<\/p>\n<\/div>
<\/div><\/div><\/div><\/div>She recomposes scenes by drawing from their two photographic harvests and invents a pictorial treatment, a thick horizontal bar behind a couple, symbol of the rustling milonga, a giant score.<\/p>\n
One differs a little,
\nthe bar is made explicit, the dancers are visible, the couple is replaced by a tanguera.<\/p>\n
A sixth cyanography is very different,
\nthe bar takes the shape of a semicircle and symbolizes the cocoon of the abrazo.<\/p>\n
The red and black gives way to blue scales, the dancers continue their movements via those of the brushes, the chemical emulsions retranscribe on paper the gesture of the danced tango.<\/p>\n<\/div>
\nis realized by Azul LOEVE
\nwith the photographic complicity of Micka\u00ebl JACOB.<\/p>\n
\nAzul has an idea behind her head, thanks to cyanography, to reinterpret the aesthetics of tango, still often old-fashioned, hyper-generated and above all far from what she feels in dance and knows from balls. Not all tangueros are couples on fire, Mr. macho is taller than Madame femme fatale.<\/p>\n
5 works of similar size | 32 x 44 cm<\/p>\n
1 large size artwork ALLEGRESSE | 50 x 65 cm<\/p>\n<\/div>
She recomposes scenes by drawing from their two photographic harvests and invents a pictorial treatment, a thick horizontal bar behind a couple, symbol of the rustling milonga, a giant score.<\/p>\n
One differs a little,
\nthe bar is made explicit, the dancers are visible, the couple is replaced by a tanguera.<\/p>\n
A sixth cyanography is very different,
\nthe bar takes the shape of a semicircle and symbolizes the cocoon of the abrazo.<\/p>\n
The red and black gives way to blue scales, the dancers continue their movements via those of the brushes, the chemical emulsions retranscribe on paper the gesture of the danced tango.<\/p>\n<\/div>
![\"\"](\"https:\/\/www.cyanographie.com\/wp-content\/uploads\/2014\/05\/2014_LOEVE_GesteT_.jpg\" "\\"2014_LOEVE_GesteT_\\"")
<\/div><\/a><\/div><\/div>